As the nearly 6, newly minted freshmen figure out their place at the school, some will inevitably be drawn to this underground oasis, chewing on cold pizza while taking shelter amid churning drones, teeming rhythms, and like minds. These news services are offered by several different stations and bring in a good deal of revenue. Update your browser to view this website correctly. They might have ads, though much fewer than commercial radios. This has the bonus that the influencer is likely to share the interview on their own social media channels, directing their followers to your page s. Share This Post. Forgot your password?
Replies to: How much money does CollegeBoard make?
Statio been told that I can make a lot of money I have the programs available to get me started I’m almost finished setting up my online radio station. Please don’t tell me what I don’t have because I did not include why I didn’t have and what I do. You can literally make millions and billions Tons of money depending on how many viewers you. Your money will be based off of viewer ship. By the uow, you better make sure you’ve got signed contracts for all of those songs and albums you will be playing on your station or you will end up losing a lot of money due to lawsuits.
Community Broadcaster: Shutdown
We have changed the way we log in on College Confidential. Read more here. RahoulVA replies threads Senior Member. October edited March in College Confidential Cafe. Just imagine, each student can apply to many colleges, they probably make more off of sending scores than the test itself Then they realized that they were missing out on millions more because students didn’t want to risk a bad score since every score was sent on a score report, so they know that students will start taking the SAT and Subject Tests as many times as they can until they can perfect it makes college admissions a lot harder! CB is like the quietest and most successful business in the world. October edited March
Things to consider before starting an internet radio station
Don’t wait for it. Just let it happen. For one, the station provided me with a musical education that I’d later rely on in my career as a music writer. But more than that, it allowed syation to join a scene of similarly music-obsessed folks from a host of backgrounds whose unique tastes and perspectives helped open up my. In a sense, my time at WXYC was a microcosm of the best that college could offer. And in playing a radio show, I gave myself permission to revel in my younger days despite being a prematurely graying curmudgeon who’s closer to 30 than I am Why does the outdated format of college radio appeal to me at a time when almost all recorded music stattion at my fingertips all the time and sharing my excellent taste with people is as simple as tweeting a Soundcloud link out to the masses?
Well, because of everything that outdated format offers as a counterpoint to the capitalist garbage fire that music is today. There was a time when—awkward on-air commentary, clunky transitions, hit-or-miss programming, and all—college radio was a democratizing force in music.
Even if a band lacked the institutional backing or commercial appeal to warrant airplay on commercial radio, there was a chance that their cillege might find its way into the hands of a college radio programmer, who might fall in love with the album and play it on air, where it stood just a chance of being discovered by anybody in the area who dared to venture left of the dial. If enough college radio stations throughout the country played your music and it made a dent in CMJ’s college radio charts, you might just have a career on your hands.
Not only did college radio bolster groups such as R. Stretch Armstrong and Bobbito Garcia started their legendary radio show on Columbia University’s WKCR when Stretch was just a freshman at Columbia, and the show, which often featured in-studio freestyles from the best and brightest in hip-hop, went on to become a linchpin of the New York rap scene.
College radio’s sway over the music industry has faded with time. The proliferation of music blogs allowed adventurous listeners to seek out the next big band on their own time, and the invention of the iPod and CD-R meant that you radjo curate your own soundtrack of quirky mobey instead of putting your faith in a pimply humanities major sitting behind a soundboard.
Meanwhile, CMJ—the apparatus that once fastidiously tracked college radio airplay—has seen an ignominious decline. In its diminished stature, college radio exists almost completely outside of the framework of the music business. This, too, is democratizing—albeit on a smaller and more intimate scale—and it’s the reason that for a certain strand of young music nerd, college radio is the greatest thing in the universe.
As my friend and editor Kyle Kramer once put itgetting monsy radio show in college offers a once-in-a-lifetime opportunity to «subject everyone in a five-to-ten-mile radius to [your tastes] at three in the morning.
The other big benefit of college radio, Kyle notes, is that «you have the benefit of access to your station’s record library, which is a bigger physical repository of recorded music than you will probably ever again find in your life. You’re culling from a catalog that forces you to physically engage with music itself, the shelves around you offering both constraints and a map. When I showed up last night at WXYC—which, in addition to counting the guy who directed every episode of The Weird Al Show as a former DJ, was the first radio station in the world to broadcast online—I grabbed one of the dozens of empty mail crates and started stalking the station’s library, looking for music to play.
Much of this music is exceedingly rare or otherwise inaccessible online—there are small pressings from now-defunct labels, imported reissues and compilations, promotional singles that were never made commercially available, and more out of print maie than you can shake a Numero Group T-shirt at. Basing a radio show off such a library is vastly different than playing a Spotify playlist of obscure shit off a laptop—you’re culling from a catalog that forces you to radlo engage with music itself, the shelves around you offering both constraints and a map.
Given that I hadn’t been on the radio in five years, my impromptu show went well. After spending 20 minutes fumbling with the controls on the station’s vintage soundboard, muscle memory kicked in and I started switching between playing tracks on the station’s turntables and CD changers like the seasoned pro—or, rather, enthusiastic amateur—I once.
Halfway through, I realized I hadn’t pulled nearly enough music to fill up my radjo time slot and began frantically scrambling between the control room and the library, grabbing records that might fit alongside whatever I happened to be playing at the moment. An early Twista single from back when he was called Tung Twista prompted me to play the similarly quick-tongued Shabba Ranks. In turn, listening to Shabba toasting over a hip-hop beat caused me to think about Noreaga’s dalliances with reggaeton, sending me to search for the copy of N.
On my next trip to the stacks I found a late-period Whodini single, which I played because I’d never heard it. I faded that into something off an Italian synth compilation that the previous DJ had left sitting.
It didn’t always work out, but, then again, that’s sort of the point of college radio. The digital sphere tends to be so focused on doing things right or making information orderly that it erases the possibilities of discovery that accidental order creates.
Often, the immediate access promised by online streaming services can be so overwhelming that we simply retreat to music we already know, making infinite choice feel the same as having no choice. Conversely, working within the vast but clearly defined parameters of a college radio library how much money can a college radio station make make the possibilities themselves seem infinite.
I realize that what I am describing is a wildly archaic process—even now I was in college the station had an aux cord to let DJs play stuff off their laptops, a privilege I abused my senior year by turning Diddy’s verse on the remix to Waka Flocka’s «O Let’s Do It» into my time slot’s de facto theme music—but as someone who primarily engages with music online, mucy can feel like a breath of fresh air.
There’s unique value in physically placing one piece of music beside another, entering them in a conversation that makes cab seemingly disparate feel like obvious bedfellows.
Radio is particularly suited to this, as are mixes more generally. As a writer I can spend hours on a piece teasing out subtle connections and concentric spheres of influence between artists and scenes, or I can illustrate those links by simply playing the music for you etation letting you draw from those juxtapositions what you. There’s a human element to this process that’s often missing from music discovery—rather than simply being fed music by a streaming algorithm or a music blog trying to garner clicks, a college radio set allows you to consider the spectrum of music through another person’s ears, outside the pressure of any kind of commercial end goals.
To revisit xollege immortal words of Dale Cooper, college radio is a present from the cosmos to everyone who takes part in it. It doesn’t make anyone money, and by no means will it ever make anybody a star. But if you tune in, sit back, and simply let it happen, you just might encounter something beautiful. Future Days is a weekly column by Drew Millard. If you agree or disagree with what he writes, feel free to text him at Drew used to work at Noisey, but now he doesn’t, so now he has this column.
He lives in North Carolina with his dog and his talking Master P doll. Follow him on Twitter. Apr 7pm. Photo by Nolan Allan.
How to Create Your Own FM Radio Station (Legally)
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Although Airtime Pro comes with a radio web page, you might want to create your own website for more customisable options like sharing news, having a chat room, and also having a newsletter sign-up widget to capture the email addresses of your radio fans. Another one good source for a background music for videos and streaming. Someone mentioned to me a week ago to start an online radio station. More recently, inKTUH began transmitting at watts of power. You may source professional services to create a membership site. Now I decided to check it out and your article makes it easy for me to envision immediately. For example, stations sell airtime to companies that wish to reach the audience with messages about their products or services. Spots vary in price depending on their length, the time of the day they run and the show during which they air. A vast library of vinyl records occupies the entire back half of the room. The frequency of the station has changed many times over the years and is unknown for Create a paid-membership or loyal listener club. Special offers and discounts on your merchandise.
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